The Dwarf of Westerbourg

Christian Heinrich Spiess

with an introduction by Daniel Corrick

The Dwarf of Westerbourg, out of print for almost two hundred years in English, and with only three copies of the original print run known to exist, is the acknowledged masterpiece of Christian Heinrich Spiess, and one of the most outrageous Gothic novels ever produced in that genre’s heyday.

Set in the thirteenth century, this bizarre story of Rodolphe of Westerbourg, a knight, and the dwarf-phantom Peter, is replete with black magic, gruesome killings and horrid happenings—is, in fact, a whirlwind of strange adventure piled on strange adventure, a downward spiraling, the depths of which few works of literature have managed to achieve.

Upon its original publication in Germany in 1791, the book, with its questionable morality and unmentionable events, shocked readers and quickly became a bestseller of its time.

The Dwarf of Westerbourg, an influence on both Matthew Lewis’s The Monk and the works of Ann Radcliffe, might be considered the Holy Grail of Gothic horror novels, an item for the connoisseur of the ghastly, and is here finally made available again to the English speaking public.

About the Author
Christian Heinrich Spiess (1755–1799) was a German actor and writer. Born the son of a pastor, he abandoned his academic studies for the life of the stage. He wrote numerous plays, but is best remembered for his novels which featured ghosts, robbers and knights, and which were hugely popular during his lifetime. His plays include Die drei Töchter (1782), Maria Stuart (1783), and Klara von Hoheneichen (1792). Noteworthy among his works of fiction are Der alte Überall and Nirgends (1792), Die Löwenritter (1794), and the great Gothic novel Das Petermännchen (1793).

About Daniel Corrick
Daniel Corrick is an editor, philosopher and writer. From 2010 to 2014 he ran Hieroglyphic Press and edited the journal Sacrum Regnum. He has published essays on various nineteenth-century figures including Hugo von Hofmannsthal, Gabriele d’Annunzio and Arthur Machen, as well as contributing articles on philosophy of religion topics to the Ontological Investigations blog. He co-edited Drowning in Beauty: The Neo-Decadent Anthology (Snuggly Books, 2018).

Paperback, 298 pages
1st edition, November 10, 2020
ISBN-13: 978-1-64525-049-4
USA: $21.50

Hardcover, 300 pages. Limited to 100 copies
1st edition, November 10, 2020
USA: $36.50